Tagged With ‘Féminité du Bois’

Cartier

Déclaration d’un Soir

18 February, 2015

‘This new masculine scent sensation is perfect for grand evenings – an impulsive perfume capable of sweeping away taboos, brazenly daring to say the unsayable and conjuring up moments of unforgettable bliss. Like a magic wand, it unleashes the emotions and feelings…’

Yes, it’s perfume bollocks time again, though at least this time at least it’s for rather a nice scent: Cartier’s Déclaration d’un Soir. Launched in 2012, it was created by their in-house perfumer, Mathilde Laurent, and like Cartier’s earlier (and now quietly discontinued) Must de Cartier Pour Homme, it has a surprising amount of rose in it for a men’s fragrance.

But don’t let that put you off: just as there’s no reason (in the right context) that a man can’t wear pink, so there’s no reason that the scent of rose, if it’s mixed with the right ingredients, has to smell floral and girly. That’s the brilliant trick of Serge Lutens’ Féminité du Bois, which – figuratively speaking – puts the smell of rose in a rather masculine cedar box.

Déclaration d’un Soir isn’t as striking as Feminité du Bois, but it’s got an appealingly plush feeling, with a slight (and not unpleasant) hint of damp soil. Déclaration d’un Soir does have a woody side to it, too, but in this case Mathilde Laurent has used sandalwood, which adds its own sweet spiciness to nutmeg, cumin and pepper.

(Incidentally, what is it about recent men’s perfumes and pepper? Virtually every ‘mainstream’ scent I’ve smelled in the last few years has reeks of the stuff, as if some secret society had ordained that all men’s perfumes had to include masses of pepper. I guess it’s just a fashion, but it makes most of them smell about as subtle and appealing as a pepper spray or a short-circuited computer. Luckily the pepper in Déclaration d’un Soir is pretty restrained.)

It’s a nice scent, as I say: warm, rich, long-lasting and – to my mind anyway – completely unisex. The only shame is that it comes in such a fussily designed bottle (the same as Cartier’s best-selling Déclaration), with its silly clip to stop you depressing the spray-top instead of a cap.

Far more of a shame, though, is the fact that Cartier have given up on Must de Cartier Pour Homme, which I liked even more and which came in that rarest thing: a really beautifully designed bottle. But that’s the perfume industry for you: a triumph of economics over aesthetics.

 

 

Serge Lutens

Féminité du Bois

20 October, 2014

Féminité du Bois was launched in 1992 for Shiseido, the Japanese beauty company for which Serge Lutens created many striking ad campaigns, and which backed him in the launch, the same year, of his super-chic Salons du Palais Royal. It was in its original incarnation that I first encountered Féminité du Bois, and what first caught my eye was the design of the bottle – a lovely teardrop-shaped glass container, designed by Lutens himself.

Sadly that style of bottle disappeared in 2009, when Lutens left Shiseido and set up in his own name; the perfume went with him, repackaged in his signature bottles – a tall, slim, rather flat rectangular design, stylish in its own right but not as poetic as Shiseido’s original.

Recommending a perfume called Féminité du Bois to men might sound like a rather capricious (not to say perverse) enterprise, but many great fragrances transcend the gender associations that their names, and their marketing, impose on them, and this is one of the most beautiful fragrances I know.

Floral scents may be thought of as quintessentially feminine, and it would take a very confident man to wear something that smelled predominantly, say, of jasmine or of rose. Yet some of the most popular men’s perfumes have flowers in them – violets in Grey Flannel, for example, or jasmine in Eau Sauvage.

Féminité du Bois is, if you like, a mirror image of these kinds of men’s fragrance: a nominally female fragrance made more, rather than less alluring by the addition of elements that are generally associated with the opposite sex. The master stroke, in this case, is the combination of sweet, rather girly smells – violets and plum (the fruit rather than the flower) – with the masculine, pencil-shaving smell of cedar wood.

It’s one of those combinations that works so well that you wonder why nobody had thought of it before, but I guess that’s the mark of genius – in this case the genius of British perfumer Christopher Sheldrake (who worked on many of the Serge Lutens fragrances before getting snapped up by Chanel) and the legendary Pierre Bourdon (Cool Water, Kouros and many others).

The first time I tried out Féminité du Bois my reaction was ‘This smells exactly like Bel Ami’. Which is to say, like pencil shavings, which is the main – and very appealing – impression you get from the classic Hermès scent. But moments later you realise that there’s more going on inside the woodiness, and the warmth and slight sweetness of plum, violets and spices blend with the cedar to make an effortlessly satisfying whole.

Luxury can mean different things to different people: for some, bling is the thing, but for others luxury means high quality and discretion – and that’s the kind of luxury Féminité du Bois suggests to me. It’s neither brash nor overpowering, which makes it eminently wearable, but nor is it faint or feeble. Try it for yourself and I hope you’ll see what I mean.